The Great Gatsby: Summary & Analysis Chapter 2 | CliffsNotes
As Daisy Buchanan's cousin, he facilitates the rekindling of the romance between her and Gatsby. The Great Read an in-depth analysis of Nick Carraway. Mar 8, The relationship that Daisy and Gatsby had affected Gatsby because The novel focuses on the power of love but the deeper meaning behind. May 21, We analyze romances between Gatsby and Daisy, Myrtle and George, Tom and Daisy Buchanan were married in , three years before the .. This moment further underscores how much Daisy means to Gatsby, and.
Gatsby and Daisy Relationship - A Research Guide for Students
When we read the story about him getting from rags to riches though there was no possible legal way to achieve it in mere yearswe can understand why he is called The Great Gatsby. Jay understands that to fulfill his dream with Daisy he should prepare to fulfill her version of American dream first. All the money and all the parties he arranges are made for her, in the futile hope that Daisy will come and see him and love him again.
We understand from the very beginning that Gatsby and Daisy relationship will be very, very troubled. He blackmails or has the possibility to do so the policeman, uses his connection to achieve his goals and he asks Nick to arrange his affair with Daisy Buchanan, no less. From the naive and honest war veteran Gatsby turns into a person similar to the other riches.
He even sometimes recites the works that depict his former moral values, just to remind himself that he still has them and is still faithful to himself and his dream. When Nick finally brings them together and leaves for a while, the picture he sees after returning can say a lot about the real Gatsby and Daisy relationship. He looks like he turned back into the young man who finally returned to his beloved, like nothing happened and Daisy is not Buchanan.
But Daisy herself… not so. Her memories about Gatsby, as we can see as readers, are much dimmer, while he remembers every day they spent together. He clearly loves her with all his heart, moreover, he is obsessed with Daisy and unable to imagine his life without her in it.
He is obsessed with her, he idolizes her. Daisy is an embodiment of his dreams more than she is a real woman.
Gatsby and Daisy Relationship in “The Great Gatsby”
Daisy is too connected to his American dream to believe that it is the end, an ultimate failure. Gradually, he starts to understand that her refusal is real. But even after that he is too obsessed with the image of Daisy in his head.
When she drives back with him and hits Myrtle Wilson, killing her on the spot, Gatsby says he is the one to blame. From this point and to his death we see him broken. The real world slowly dissolves in the monochromatic ashen realm of shadows. Daisy is the embodiment of dream and without her the life is meaningless and futile. She could never live up to his expectations. Gatsby was unable to look through his dream and see the real Daisy. Daisy was also unable to look through her dream and see Gatsby as the courageous and very smart man who is able to gain wealth and provide her with the level of luxury she wished so desperately.
Although she does not possess the ethereal qualities of Daisy, in fact, she appears very much of the earth, she does possess a decided sensuality, as well a degree of ambition and drive that is conspicuously absent in her husband.
After a few attempts at social niceties showing that Myrtle, despite being trapped in a dead-end lifestyle, aspires in some sense to refinement and proprietyNick and Tom leave, with the understanding that Myrtle will soon join them to travel into the city to the apartment that Tom keeps for just such purposes. It is worth noting, however, that Myrtle rides in a different train car from Tom and Nick, in accordance with Tom's desire to pander, in this small way, to the "sensibilities of those East Eggers who might be on the train.
He is bold about his affair, not worrying that Daisy knows, but he sees the need to put up a pretense on the train, as if that one small gesture of discretion makes up for all the other ways in which he flaunts his affairs. As soon as the group arrives in New York, Myrtle shows herself to be not nearly as nondescript as is her husband. She is, however, far from refined, despite how she may try.
At the apartment in New York, after "throwing a regal homecoming glance around the neighborhood," Myrtle undergoes a transformation.
By changing her clothes she leaves behind her lower-class trappings, and in donning new clothes she adopts a new personality. She invites her sister and some friends to join the afternoon's party, but her motivation for doing so goes beyond simply wanting to enjoy their company. Her intent is largely to show off what she has gained for herself through her arrangement.
It is irrelevant to Myrtle that what she has gained comes through questionable means; clearly, for her and Tom, toothe morality of infidelity is not an issue.
Her affair with Tom allows her to gain something she wants — money and power — and therefore it can be justified. As Nick describes, when Myrtle changes her clothes, she exchanges her earlier "intense vitality" clearly a positive and refreshing attribute for "impressive hauteur" a decidedly unappealing quality invoking Nick's respect and disgust simultaneously.
While entertaining, Myrtle comes across as perceiving herself to be superior, although that isn't hard to do, given the people with whom she surrounds herself. The McKees, for instance, are trying desperately to be accepted by the upper class, but are really shallow, dull people.
The Great Gatsby
McKee, despite his attempts to be seen as an artist, is conventional even boring in his photography. He skill is technical, at best, rather than artistic, as he would have people believe, as evidenced by the completely unoriginal titles he gives his photos — 'Montauk Point — the Gulls' and 'Montauk Point — the Sea.
By this point she sees herself not only as superior to her guests, she is Tom's equal. All this changes, however, when Tom brutally reminds her of her place in his life. After bringing up Daisy's name, Tom and Myrtle stand "face to face, discussing in impassioned voices whether Mrs.
Wilson had any right to mention Daisy's name. The shocking violence of this incident is calculated and underscores a nastier side of life that most people would like to ignore. Through Tom's assault, Fitzgerald not only demonstrates more about Tom and his callousness toward humanity, but also suggests a hidden side to the Jazz Age.
Although most people associate good times and carefree abandon with the reverie of the s, Fitzgerald suggests a much darker side. Tom is a decidedly unpleasant man, held in check by very few rules. The reader must wonder, if he is capable of this sort of violence, what else is he capable of? In just the second chapter of the book, Fitzgerald is already showing the seedy side to a supposedly charmed life.
The incident piques the reader's interest, shocking and appalling as it is, making the reader wonder to what depths this society will fall — in the book and in real life, as well. It is appropriate to briefly exploring the tones of homoeroticism that underlie the party at Tom and Myrtle's. Catherine, Myrtle's sister who is "said to be very beautiful by people who ought to know" again introducing the notion of rumors and truth, as well as the idea that a certain portion of society has the right to set standards for other portionsspeaks in couched terms about her travels and living arrangements with "a girl friend at a hotel.Gatsby's and Daisy's relationship
As Fitzgerald shows by the afternoon's party, anything can happen. It's a wild time — people, particularly the trendy people, are eager to break established boundaries.
It is not unlikely that they would challenge established social mores, as well. Nick, himself, has an encounter shrouded in mystery in this chapter, which again hints at challenging the accepted sexual morality of the time — homosexuality was not commonly spoken of at this time in history At the end of the chapter, Nick says that after he sees McKee home, after a curious use of ellipses by Fitzgerald, he "was standing beside his bed and he was sitting up between the sheets, clad in his underwear, with a great portfolio in his hands.
Some may argue that looking at this chapter's homoeroticism is pointless; if the author had wanted to focus on it, he would have made it more pronounced in the text. What these critics overlook, however, is the possibility that Fitzgerald is hinting at it, just as the society of which he was a part, hinted at it. By refusing to make the book's underlying homoeroticism pronounced, he is mirroring the refusal of society at large to acknowledge a lifestyle choice that was socially unacceptable in most circles.
The hints of homoeroticism also bring into focus the debauchery which marks The Great Gatsby.