Rainer Werner Fassbinder - Wikipedia
However, even with my own partiality, the importance of the actor/director relationship cannot be denied. It is a crucial element in filmmaking. The Most Notorious Actor/Director Feuds in Movie History below) got us thinking about some of the less cordial actor/director relationships. The German, Austrian-born actor has garnered global attention for his Oscar- winning roles in Inglourious Basterds and Django Unchained, and.
He has an older sister, Catherine, who is a neuropsychologist. Brendan's Collegeboth in Killarney. In the video, he plays the part of a man out with friends on a stag night who slowly transforms into a goat due to wearing a cowbell necklace. He was also seen in early in a Guinness television commercialThe Quarrel, playing a man who swims across the ocean from Ireland to apologise personally to his brother in New York;  this commercial won a gold medal at the FAB Awards.
He appeared in Angel UK title: The Real Life of Angel Deverellabout the rise and fall of an eccentric young British writer played by Romola Garai in the early 20th century.
Mainstream success InFassbender played Steliosa young Spartan warrior, ina fantasy action film directed by Zack Snyder. The film was a commercial success. He received the British Independent Film Award for his performance. When she was working, she often sent her son to the cinema to pass time.
Werner Herzog - Wikipedia
Later in life, Fassbinder claimed that he saw at least a film a day, sometimes even four a day. During this period, Pempeit was often away from her son for long periods while she recuperated from tuberculosis.
As he was often left alone, he became used to the independence and thus, became a juvenile delinquent. He clashed with his mother's younger lover Siggi, who lived with them when Fassbinder was around eight or nine years old. He had a similar difficult relationship with the much older journalist Wolff Eder c. His time there was marred by his repeated escape attempts and he eventually left school before any final examinations.
At the age of 15, he moved to Cologne with his father. To earn money, he worked small jobs and helped his father who rented shabby apartments to immigrant workers. During his time with his father, Fassbinder began to cultivate himself in the world of theatre, such as writing poems, short plays, and stories.
Following his mother's advice, he took acting lessons and from to attended the Fridl-Leonhard Studio for actors in Munich. Drops on Hot Stones. Shot in black and whitethey were financed by Fassbinder's lover, Christoph Roser, an aspiring actor, in exchange for leading roles. In the latter, his mother — under the name of Lilo Pempeit — played the first of many parts in her son's films.
After two months he became the company's leader. In April Fassbinder directed the premiere production of his play Katzelmacher, which tells the story of a foreign worker from Greece who becomes the object of intense racial, sexual, and political hatred among a group of Bavarian slackers. A few weeks later, in Maythe Action-Theater was disbanded after its theater was wrecked by one of its founders, jealous of Fassbinder's growing power within the group.
This close-knit group of young actors included among them Fassbinder, Peer RabenHarry Baer and Kurt Raabwho along with Hanna Schygulla and Irm Hermann became the most important members of his cinematic stock company.
In the space of eighteen months he directed twelve plays. Of these twelve plays, four were written by Fassbinder; he rewrote five others.
Kevin Costner - Wikipedia
The style of his stage directing closely resembled that of his early films, a mixture of choreographed movement and static poses, taking its cues not from the traditions of stage theater, but from musicals, cabaret, films and the student protest movement.
After he made his earliest feature films inFassbinder centered his efforts in his career as film director, but he maintained an intermittent foothold in the theater until his death. He worked in various productions throughout Germany and made a number of radio plays in the early s. In Fassbinder took directorial control over the Theater am Turm TAT of Frankfurt; when this project ended in failure and controversy, Fassbinder became less interested in theater.
Early films and acclaim[ edit ] Fassbinder used his theatrical work as a springboard for making films; and many of the Anti-Theater actors and crew worked with him throughout his entire career for instance, he made 20 films each with actresses Hanna Schygulla and Irm Herrmann.
Because he knew his actors and technicians so well, Fassbinder was able to complete as many as four or five films per year on extremely low budgets. This allowed him to compete successfully for the government grants needed to continue making films.
Additionally, he learned how to handle all phases of production, from writing and acting to direction and theater management. This versatility surfaced in his films too where, in addition to some of the aforementioned responsibilities, Fassbinder served as composer, production designer, cinematographer, producer and editor. He also appeared in thirty projects of other directors. ByFassbinder had gained international prominence, prizes at major film festivalspremieres and retrospectives in Paris, New York and Los Angeles, and a study of his work by Tony Rayns had been published.
All these factors helped make him a familiar name among cinephiles and campus audiences throughout the world.
He lived in Munich when not traveling, rented a house in Paris with ex-wife Ingrid Caven. His films were a fixture in art houses of the time after he became internationally known with Ali: Fear Eats the Soul. Inhe was a member of the jury at the 27th Berlin International Film Festival.
These films were largely written or adapted for the screen by Fassbinder. He was also art director on most of the early films, editor or co-editor on many of them often credited as Franz Walsh, though the spelling variesand he acted in nineteen of his own films as well as for other directors. He wrote and directed four radio plays and wrote song lyrics. In addition, he wrote thirty-three screenplays and collaborated with other screenwriters on thirteen more.
On top of this, he occasionally performed many other roles such as cinematographer and producer on a small number of them. Working with a regular ensemble of actors and technicians, he was able to complete films ahead of schedule and often under budget and thus compete successfully for government subsidies. He worked fast, typically omitting rehearsals and going with the first take.
What is the #1 Secret to the Actor/Director Relationship?
In these films, Fassbinder explored how deep-rooted prejudices about race, sex, sexual orientationpolitics and class are inherent in society, while also tackling his trademark subject of the everyday fascism of family life and friendship. He also articulated his themes in the bourgeois milieu with his trilogy about women in post- fascist Germany: But I hope in the end it will be a house. Avant-garde films — [ edit ] Working simultaneously in theater and film, Fassbinder created his own style from a fusion of the two artforms.
His ten early films are characterized by a self-conscious and assertive formalism. Although praised by many critics, they proved too demanding and inaccessible for a mass audience. Fassbinder's rapid working methods had begun by this stage. Fassbinder plays the lead role of Franz, a small-time pimp who is torn between his mistress Joanna, a prostitute played by Hanna Schygulla, and his friend Bruno, a gangster sent after Franz by the syndicate that he has refused to join.
Joanna informs the police of a bank robbery the two men have planned. Bruno is killed in the shootout, but Franz and Joanna escape. The film, however, already displays the themes that were to remain present through the director's subsequent work: It features a group of rootless and bored young couples who spend much of their time in idle chatter, empty boasting, drinking, playing cards, intriguing or simply sitting around.
The arrival of Jorgos, a guest worker from Greece, leads to a growing curiosity on the part of the women and the antagonism among the men living in a suburban block of apartments in Munich. Katzelmacher was adapted from Fassbinder's first produced play — a short piece that was expanded from forty minutes to feature length, moving the action from a country village to Munich and delaying the appearance of Jorgos. The character of Franz from Fassbinder's first film, but now played by Harry Baer is released from prison, but falls back with the wrong crowd.
He teams up with his best friend, a black Bavarian criminal who killed his brother, to raid a supermarket. Both men are betrayed by Franz's jilted lover Joanna who tips off the police. Franz is killed and the film ends at his laconic funeral.
It was co-directed by Michael Fengler the friend who had been his cameraman on the short film The little Chaos in Only the outlines of the scenes were sketched by Fassbinder.
Fengler and the cast then improvised the dialogue. Fassbinder asserted that this was really Fengler's work rather than his. Nevertheless, the two were jointly given a directorial award for the project in the German Film prize competition and Why Does Herr R.
The pressures of middle class life take a toll on him. A visit by a woman neighbor occasions the incident that gives the film its title. Irritated by the incessant chat between his wife and her friend while he tries to watch T. V, Herr Raab kills the neighbor with a blow to the head with a candle stick and then kills both his wife and their son.
Herr Raab is later found hanged in an office restroom. A sudden frenzied outburst of repressed passion, the revelation of desire and a need for love that has been thwarted and comes too late is central here. Eventually he ends up killing the girlfriend of one of the policemen with his friend Franz Walsh Fassbinder.
The film closes with the music of the song So much tenderness, written by Fassbinder and sung by Gunther Kaufmann. He is listed in the credits as 'Frat Boy No. Costner can be seen holding a beer and looking surprised at the sudden halt of celebration. Costner at the Cannes Film Festival Costner appeared in a commercial for the Apple Lisa and Table for Five inand, the same year, had a small role in the nuclear holocaust film Testament.
Later, he was cast in The Big Chill and filmed several scenes that were planned as flashbacks, but they were removed from the final cut.
Costner was a friend of director Lawrence Kasdanwho promised the actor a role in a future project.
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Full-blown movie star status for Costner arrived inwhen he starred as federal agent Eliot Ness in The Untouchables and in the leading role of the thriller No Way Out. This film was nominated for 12 Academy Awards and won seven, including two for him personally Best Picture and Best Director.Richard Linklater On The Collaborative Relationship Between Director And Actor
Costner followed with Robin Hood: The Waralso made inseemed to gain little attention. The science fiction- post-apocalyptic epics Waterworld and The Postmanthe latter of which Costner also directed, were both commercial disappointments and both largely regarded by critics as artistic failures.
He personally offered the project to Harrison Ford. Inhe starred in Message in a Bottle with Robin Wrightbased on the novel of the same name by Nicholas Sparks.