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Abominable () - IMDb

Abominable. Abominable () It's one thing to enjoy the work of someone who tried hard and ended up with something stupid; it's another to watch His amusingly antagonistic relationship with the exasperated Otis is. Lifestyle · Sex & Relationships · Cars & Tech · Fitness & Health It's a familiar plot of promiscuous twentysomethings—including Becky Abominable () The movie's called Abominable Snowman, but the Yeti aren't as. Instead, the viewer is left feeling, in the end, like a big Bigfoot turd has just been ABOMINABLE (), directed and written by Ryan Schifrin, stars a very A young woman escaping an abusive relationship is just passing.

Once the creature is gone, they come out again and find large footprints on the ground. Shortly thereafter, a man bound in a wheelchair named Preston Rogers Matt McCoy stays in a cottage in the local woods while being watched and nursed by Otis Wilhelm Christien Tinsley. Though things may look peaceful, Preston, who lost his wife in the climbing accident that crippled him, begins to see something mysterious happening in these woods.

As night falls, a group of hunters, including Billy and a gas station clerk named Buddy Jeffery Combs who met Otis and Preston earlier, are out looking for the same monster that came to Billy's home, which they believe to be a deranged Sasquatch Michael Deak.

Ziegler Dane Lance Henriksenthe third of the party, investigates when Buddy claims to have heard noises. He finds a cave and discovers Karen, who went missing when Preston saw something grab her.

She is mortally wounded with her stomach torn open. When she is dragged away and killed, Dane runs out and warns the others. One by one, the hunters are grabbed by the hiding monster and killed. Preston tries to contact the local police after what happened to Karen. He sees that the remaining girls are looking for her.

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After trying to call the police, they head inside and promise to search for her later. But the Sasquatch returns and attacks Tracy, who had just finished taking a shower. As the monster pulls Tracy through a small window, snapping her in half and killing her, Preston tries to get Otis to see the creature, but it disappears.

Abominable (2006)

A disbelieving Otis attempts to sedate Preston, but Preston turns the tables and tranquilizes Otis. Preston then looks out a window: After fainting in terror from seeing the beast up close, Preston wakes up, only to find that the police led by Sheriff Halderman Paul Gleason have responded to his initial inquiry, only to dismiss his concerns and warn him of using the line for pranks.

He tries to warn the girls, who now discover Tracy gone and blood in the bathroom. The Sasquatch appears again, then heads further into the woods.

Preston gets the girls' attention and warns them about the monster. After what happened to Tracy and Karen, they now believe him. He urges them to stay away from the windows and to call the police, but the beast invades their cabin. Michelle in the upstairs bathroom; C. He was an archetype several decades ahead of his time when fan boy filmmakers like Quentin Tarantino and Robert Rodriguez would receive critical acclaim and box office success with their own twists on grade Z inspired movies.

Today, Ryan Shifrin can step proudly out of the genre closet and tell the whole world of his filmmaking orientation.

He arrives amid a current romanticism regarding the splatter films of the '70s and '80s that allows Abominable to be a very bloody coming out party. As often seen in the work of movie-obsessed directors, every detail has been lovingly placed.

From the cult casting of genre favorites like Lance Henriksen, Dee Wallace-Stone, and Jeffrey Combs to the wonderful Drew Struzan poster art which immediately brings to mind his iconic work for Steven Spielberg and George Lucas, the entire movie is like a museum of classic fantasy cinema.

What separates Shifrin from the rest of the pack is his trust in and grasp of the craft of filmmaking. Particularly for a first time director.

The Rear Window element is not just tossed away. Shifrin embraces the influence of Hitchcock on his movie and enjoys the interesting bounces he gets from throwing Alfred's cinematic techniques against the wall of monster movie cinema. He gets some very effective bounces as the technique forces the monster to be vaguely seen for most of the film, our point of view trapped with the protagonist who can only watch helplessly.

The technique plays right into the basic problem with all monster movies: How to tell the story without showing too much of the monster until the final reel. Shifrin gets a lot of tension and scares out of this central cinematic concept. The cast is simply perfect for this movie, with McCoy in particular seeming to be exactly on the director's wavelength. Since we see everything through his eyes, this is crucial. Special mention must be made of the wonderful cinematography provided by the late Neil Fredericks who was best known for his much different work on The Blair Witch Project.

He passed away not long after completing Abominable.

Abominable | Revolvy

Fredericks' work on this film brings to mind the classic look of Dean Cundey's late '70s collaborations with John Carpenter, particularly the very atmospheric night photography. Shifrin credits Fredericks with much more than just his work as cinematographer.

It seems he was a real mentor to Shifrin and helped him with the logistics and realities of low budget filmmaking. Anchor Bay has provided a very nice set of extras on the disc. A very informative featurette on the making of the movie, a witty commentary with Matt Mccoy, Jeffery Combs, and Ryan Shifrin that discusses the complexities of pulling off any film on a low budget.

Extras also include deleted scenes as well as poster, still, and storyboard galleries. Also included is a short film from the director's own days at USC. A Twilight Zone-styled short called Shadows, the film has a nice sinister tone and makes expressive use of black and white within the content of it's brief narrative.

The final shot, in particular, is quite impressive. If, like me, you are a big movie soundtrack fan, you may have guessed that Ryan Shifrin is the son, daughter, nephew, cousin or uncle of legendary composer Lalo Shifrin, well known for his unforgettable Mission: