Lance masques ending a relationship

Lance N' Masques - victoryawards.us

lance masques ending a relationship

Dec 17, Lance N' Masques Anticipation and Discussion Lol, shit went from 0 to at the end! Insert Yugioh eye! Oh my things got pretty intense at the end. Yotaro's . Yoriko's relationship to Shin and Yotaro is still unexplained. Episode title:** I Am Here Now, My Lady **MyAnimeList:** [Lance N' I really wish that Makio learns who Knight Lancer is by the end of the series, but since Maybe Makio developing an endearing brotherly relationship with. Oct 1, Lance N' Masques opens up the Fall season by setting the bar really, really low. . While there could be a tender relationship developing between . the fight scene at the end, there are more head-skewing moments of.

lance masques ending a relationship

In that sense, Lance N' Masques has some real potential. The white knight bit isn't quite as interesting as it wants to be, but the other ways Yutaro could be heroic hold some possibilities. It would also be a twist on the usual knight-in-shining-armor story, too, which from this first episode, the show is going to need.

But you know what Lance N' Masques needs first? Some work on its timeline. The episode opens with Yutaro saving Makio, then cuts to him being knighted and saving a girl in the city before going back to Makio, and I honestly wasn't sure what the real chronology was. I was thinking that Makio's storyline happened long after the city scenes, but then the three characters who appeared there looking for Yutaro show up on Makio's front porch, thoroughly confusing things.

These three are themselves a little difficult to place — a stern maid, a ditzy blond named Alice, and a third named Shirohime who is either a horse, a human, or an equestria girl. I absolutely couldn't decide if she could be seen in her human form by everyone or only by Alice. Right now all we know about them is that they're looking for Yutaro, and I felt like they took away from the story, suffering from not having a clear reason to be there.

Yes, this is only the first episode, but a single line about their relationship to the hero would have justified their presence; instead they feel like the most cookie-cutter element of the show. Lance N' Masques' entry onto the scene is very firmly mediocre. I'm also not keen on the visual style — the short faces and marble eyes aren't quite emotive enough, and there's something very off with female bodies.

Also, does that thug have a caduceus on his head? I'm not willing to totally write it off, but this also feels like it could easily squander what potential it has. Lance N' Masques is available streaming at Crunchyroll. We're introduced to six-year-old Makio Kidoin cheerfully playing alone at a playground at sunset.

She attempts to scale a rock wall only to come plummeting down. Then, at the last minute, a masked knight with an absurdly large lance and cape catches her. The episode then backtracks earlier in the day where we find out the masked knight is Yotaro Hanabusa, a boy recently knighted into the long-standing Order of World Knights.

His father, Shin, is a legend among the order for being the first knight in years to be chosen by the holy lance of Rhongomyniad. He's since disappeared and Yotaro has s complex about the whole thing and no actual interest in being a knight. The episode catches up with its opener and Yotaro ends up going home with Makio, who encounters him after his exit but doesn't recognize him without the mask and cape get-up.

The little girl is the heir to a wealthy conglomerate and lives only with a staff of maids who go home every evening. It's at this point that Lance N' Masques' bare minimum required logic starts to fall apart.

A fantasy show can ask for suspension of disbelief from its audience to a point, but some normalcy has to remain. A year-old order of knights existing in secret is okay, but an essentially orphaned six-year-old who has a high risk of being a kidnapping target living alone with only housekeeping staff is a bit much.

It's such an obvious set-up to insert the lead hero. The characters also act like they're in some other show where Makio isn't a child.

She's treated by the rest of characters like she's a typical female, teen romantic interest. The audience is treated to a scene where she sneaked into bed with him, a pretty standard rom-com fanservice scene by any means, but she's a baby-faced six-year-old in her pajamas. Yet all the characters, Yotaro included, freak out. The round, baby-face character designs aren't limited only to Makio. Every character looks this way, leading to an almost laughable flashback of Yotaro talking with his father, who looks like he's maybe The series' backdrops, meanwhile, are gorgeous, from forested sunsets, a trickling creek, and the outside shots of Makio's mansion.

Unfortunately, the detail put into the setting artwork only highlights how unattractive the characters are, whether they're lumpy background stock characters or the entire infantile-looking lead cast. As a starting episode, Lance N' Masques leaves few plot-related questions to bring viewers back for a second episode. Its romantic comedy subplot is hardly cute and its fantasy elements leave nothing the chew on. In this first episode, he ends up rescuing the diminutive Makio Kidoin, heir to the major Kidoin company, and spends a night at her mansion before being picked up by his own possible master Alice and her talking horse Shirohime.

If you're scanning that paragraph looking for some kind of hook, you won't find one. Almost nothing of interest actually happens in this first episode - we're introduced to the main characters, we learn Makio lives alone and is thus sad, and then Yotaro beats up some thugs and the episode ends.

I'm not really sure what's intended to compel the audience to seek out more episodes of this show, as outside of that non-hook, everything portrayed here is the kind of tired stuff you'll find in any run-of-the-mill modern light novel adaptation.

There is not, however, any sense of intrigue or tension that might prompt interest in future episodes. The fact that the first person Yotaro's white knight act works on is a literal child is a nice unspoken gag, and even if there's no actual humor here, there's also nothing offensively bad. Plus the backgrounds have some nice warm colors, and the music score varies things up with the aforementioned Spanish guitar and other stylistic digressions like the more medieval-ish music for Yotaro's knighting ceremony.

Unfortunately, outside of those colors, the visuals here are lousy. The character designs are the worst offenders - everyone has a featureless blob-face, meaning you can't even tell Yotaro's dad and Makio are supposed to be maybe thirty years apart.

The actual backgrounds also lack personality, and there's almost no animation to speak of. It is flavorless anime custard. The most immediately striking thing about this light novel adaptation from Studio Gokumi and director Kyohei Ishiguro Your Lie in April is its especially vivid use of color.

Sadly, that is about the only thing about the first episode which makes much of an impression.

lance masques ending a relationship

In this setting a chivalric order of knights, called the Knight of the World, has survived into the 21st century and is widely-recognized and respected. Yotaro Honabusa is a fledgling knight presumably because his notoriously-absentee father is practically a modern legend of a knight.

Yōtarō Hanabusa

Though Yotaro keeps claiming that he would rather lead a normal life, he cannot help but act in a laughably courtly fashion, especially when a young lady is distressed. He would probably be classified as chunibyo if it wasn't for the fact that he really does carry a giant, extendable lance, is shown in an early scene actually being inducted into the Knights of the World, and does seem to have some impressive physical skills.

Season three opened with the death of Sara Lance for the second time. She was killed off for reasons that make no narrative sense, but her death opened the door for Laurel to become the Black Canary.

It was a bittersweet evolution, but allowed Laurel to finally be the character she was always supposed to be. Yet, Laurel struggled to take down more than one mugger at a time during her early run as Black Canary. She smelled of elderberries.

Lance N' Masques - Wikipedia

Yet despite it all, she kept on trying and getting beat and getting back up. Thanks to the training from Nyssa, Laurel managed to get better, and as we rode into season four, I had hope. Laurel became the Black Canary in the tenth episode of season three; she died on the eighteenth episode of season four. I respectfully and emphatically call bullshit on that. While the writers have acknowledged the comics, they have decided to do their own thing …which would be fine if it was an actual improvement.

It allows her to tell her story, to be angry, to be wrong, to be right, and to grow. Nothing about her is hindered by her relationship with Matt Murdock or knowing who he really is.

That is what the writers forgot about Laurel and are steadily forgetting with Felicity: These women are more than their relationships. I saw a woman who was smart, strong, flawed, and in deep need of a shoulder to cry on.