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To Kill a Mockingbird - Wikipedia

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Sheriff Tate arrives and discovers that Bob Ewell has died during the fight. The sheriff argues with Atticus about the prudence and ethics of charging Jem whom Atticus believes to be responsible or Boo whom Tate believes to be responsible. Atticus eventually accepts the sheriff's story that Ewell simply fell on his own knife. Boo asks Scout to walk him home, and after she says goodbye to him at his front door he disappears again. While standing on the Radley porch, Scout imagines life from Boo's perspective, and regrets that they had never repaid him for the gifts he had given them.

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Scout then goes back home to Atticus and stays up with him for a while in Jem's room. Soon Atticus takes her to bed and tucks her in, before leaving to go back to Jem.

Autobiographical elements Lee has said that To Kill a Mockingbird is not an autobiographybut rather an example of how an author "should write about what he knows and write truthfully".

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Lee's father, Amasa Coleman Lee, was an attorney, similar to Atticus Finch, and inhe defended two black men accused of murder. After they were convicted, hanged and mutilated, [14] he never tried another criminal case. Lee's father was also the editor and publisher of the Monroeville newspaper.

Although more of a proponent of racial segregation than Atticus, he gradually became more liberal in his later years. Lee's mother was prone to a nervous condition that rendered her mentally and emotionally absent. Lee modeled the character of Dill on her childhood friend, Truman Capoteknown then as Truman Persons.

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Both Lee and Capote loved to read, and were atypical children in some ways: Lee was a scrappy tomboy who was quick to fight, and Capote was ridiculed for his advanced vocabulary and lisp. She and Capote made up and acted out stories they wrote on an old Underwood typewriter that Lee's father gave them. They became good friends when both felt alienated from their peers; Capote called the two of them "apart people".

He was hidden until virtually forgotten; he died in The story and the trial were covered by her father's newspaper which reported that Lett was convicted and sentenced to death.

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After a series of letters appeared claiming Lett had been falsely accused, his sentence was commuted to life in prison. He died there of tuberculosis in However, inLee stated that she had in mind something less sensational, although the Scottsboro case served "the same purpose" to display Southern prejudices. Part of the beauty is that she Her art is visual, and with cinematographic fluidity and subtlety we see a scene melting into another scene without jolts of transition.

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After Dill promises to marry her, then spends too much time with Jem, Scout reasons the best way to get him to pay attention to her is to beat him up, which she does several times. Satire and irony are used to such an extent that Tavernier-Courbin suggests one interpretation for the book's title: Lee is doing the mocking—of education, the justice system, and her own society—by using them as subjects of her humorous disapproval.

This prompts their black housekeeper Calpurnia to escort Scout and Jem to her church, which allows the children a glimpse into her personal life, as well as Tom Robinson's. She is so distracted and embarrassed that she prefers to go home in her ham costume, which saves her life.

The grotesque and near-supernatural qualities of Boo Radley and his house, and the element of racial injustice involving Tom Robinson, contribute to the aura of the Gothic in the novel. Furthermore, in addressing themes such as alcoholism, incestrape, and racial violence, Lee wrote about her small town realistically rather than melodramatically.

She portrays the problems of individual characters as universal underlying issues in every society. Lee seems to examine Jem's sense of loss about how his neighbors have disappointed him more than Scout's.

Jem says to their neighbor Miss Maudie the day after the trial, "It's like bein' a caterpillar wrapped in a cocoon I always thought Maycomb folks were the best folks in the world, least that's what they seemed like".

Just as the novel is an illustration of the changes Jem faces, it is also an exploration of the realities Scout must face as an atypical girl on the verge of womanhood. As one scholar writes, "To Kill a Mockingbird can be read as a feminist Bildungsroman, for Scout emerges from her childhood experiences with a clear sense of her place in her community and an awareness of her potential power as the woman she will one day be.

Threatening Boundaries, [50] Despite the novel's immense popularity upon publication, it has not received the close critical attention paid to other modern American classics. Don Noble, editor of a book of essays about the novel, estimates that the ratio of sales to analytical essays may be a million to one.

Christopher Metress writes that the book is "an icon whose emotive sway remains strangely powerful because it also remains unexamined".

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However, she gave some insight into her themes when, in a rare letter to the editor, she wrote in response to the passionate reaction her book caused: Reviewers were generally charmed by Scout and Jem's observations of their quirky neighbors. One writer was so impressed by Lee's detailed explanations of the people of Maycomb that he categorized the book as Southern romantic regionalism.

Scout's Aunt Alexandra attributes Maycomb's inhabitants' faults and advantages to genealogy families that have gambling streaks and drinking streaks[56] and the narrator sets the action and characters amid a finely detailed background of the Finch family history and the history of Maycomb.

This regionalist theme is further reflected in Mayella Ewell's apparent powerlessness to admit her advances toward Tom Robinson, and Scout's definition of "fine folks" being people with good sense who do the best they can with what they have.

The South itself, with its traditions and taboos, seems to drive the plot more than the characters.

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Rosa Parks ' refusal to yield her seat on a city bus to a white person, which sparked the Montgomery Bus Boycottand the riots at the University of Alabama after Autherine Lucy and Polly Myers were admitted Myers eventually withdrew her application and Lucy was expelled, but reinstated in Inevitably, despite its mids setting, the story told from the perspective of the s voices the conflicts, tensions, and fears induced by this transition.

Chura notes the icon of the black rapist causing harm to the representation of the "mythologized vulnerable and sacred Southern womanhood". Tom Robinson's trial was juried by poor white farmers who convicted him despite overwhelming evidence of his innocence, as more educated and moderate white townspeople supported the jury's decision.

Furthermore, the victim of racial injustice in To Kill a Mockingbird was physically impaired, which made him unable to commit the act he was accused of, but also crippled him in other ways.

The theme of racial injustice appears symbolically in the novel as well. For example, Atticus must shoot a rabid dog, even though it is not his job to do so. He is also alone when he faces a group intending to lynch Tom Robinson and once more in the courthouse during Tom's trial. Lee even uses dreamlike imagery from the mad dog incident to describe some of the courtroom scenes. Jones writes, "[t]he real mad dog in Maycomb is the racism that denies the humanity of Tom Robinson When Atticus makes his summation to the jury, he literally bares himself to the jury's and the town's anger.

I mean different kinds of black people and white people both, from poor white trash to the upper crust—the whole social fabric. When Scout embarrasses her poorer classmate, Walter Cunningham, at the Finch home one day, Calpurnia, their black cook, chastises and punishes her for doing so.

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Lee demonstrates how issues of gender and class intensify prejudice, silence the voices that might challenge the existing order, and greatly complicate many Americans' conception of the causes of racism and segregation.

Sharing Scout and Jem's perspective, the reader is allowed to engage in relationships with the conservative antebellum Mrs. Dubose; the lower-class Ewells, and the Cunninghams who are equally poor but behave in vastly different ways; the wealthy but ostracized Mr.

Dolphus Raymond; and Calpurnia and other members of the black community. The children internalize Atticus' admonition not to judge someone until they have walked around in that person's skin, gaining a greater understanding of people's motives and behavior. Atticus is the moral center of the novel, however, and he teaches Jem one of the most significant lessons of courage.

Dubose, who is determined to break herself of a morphine addiction, Atticus tells Jem that courage is "when you're licked before you begin but you begin anyway and you see it through no matter what".

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Shieldswho wrote the first book-length biography of Harper Lee, offers the reason for the novel's enduring popularity and impact is that "its lessons of human dignity and respect for others remain fundamental and universal". When Mayella reacts with confusion to Atticus' question if she has any friends, Scout offers that she must be lonelier than Boo Radley.

Having walked Boo home after he saves their lives, Scout stands on the Radley porch and considers the events of the previous three years from Boo's perspective. One writer remarks, "