Johann Wolfgang von Goethe - Wikipedia
Dec 6, Also included is how to keep your long distance relationship alive. As the clock ticks, I remember that it's just time passing until I get to spend it with you. that distance can be hard on a relationship, but I want to reassure. Muqbil composed a poem about a similar event [TbMl]. Here too, neither the marital relationship between the two persons in the poem nor the The world is filled with people who find no rest during their lifetime, who always work very hard and reminding her of those bygone times when he joined the noble members of. You can make her fall in love with you all over again with poetry. or your relationship with her is and you'd rather be working than spending time with her. Let her know that you appreciate how hard her life is and that you want to take part.
One of the earliest endeavors at editing Li Bai's work was by his relative Li Yangbingthe magistrate of Dangtuwith whom he stayed in his final years and to whom he entrusted his manuscripts.
However, the most reliable texts are not necessarily in the earliest editions. Song dynasty scholars produced various editions of his poetry, but it was not until the Qing dynasty that such collections as the Quan Tangshi Complete Tang Poems made the most comprehensive studies of the then surviving texts.
Other themes in Li's poetry, noted especially in the 20th century, are sympathy for the common folks and antipathy towards needless wars even when conducted by the emperor himself. The "genius" of Li Bai, says one recent account, "lies at once in his total command of the literary tradition before him and his ingenuity in bending without breaking it to discover a uniquely personal idiom A more general appreciation for history, is shown on the part of Li Bai in his poems of the huaigu genre,  or meditations on the past, wherein following "one of the perennial themes of Chinese poetry", "the poet contemplates the ruins of past glory".
Wu observed that "while some may have drunk more wine than Li [Bai], no-one has written more poems about wine. Y Liu comments that zui in poetry "does not mean quite the same thing as 'drunk', 'intoxicated', or 'inebriated', but rather means being mentally carried away from one's normal preoccupations Arthur Waley  translated it as follows: I will not spoil it by any labour or care.
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The Spring wind was telling the mango-bird. Fantastic imagery[ edit ] An important characteristic of Li Bai's poetry "is the fantasy and note of childlike wonder and playfulness that pervade so much of it".
This may seem sentimental to Western readers, but one should remember the vastness of China, the difficulties of communication In a mere 20 words, the poem uses the vivid moonlight and frost imagery to convey the feeling of homesickness. There are several editions of the poem. This is translated[ by whom? Lift my head and see the moon Lower my head and pine for home.
This song is among the first classical songs that are taught to children in China, often by their parents. A music sheet book of its Chinese version exists. For example, he wrote several poems in the Zi Ye, or "Lady Midnight" styleas well as Han folk-ballad style poems. Technical virtuosity[ edit ] Li Bai is well known for the technical virtuosity of his poetry and the mastery of his verses. In theme and content also, his poetry is notable less for the new elements it introduces than for the skill with which he brightens the old ones.
Shu is a poetic term for Sichuan, the destination of refuge that Emperor Xuanzong considered fleeing to escape the approaching forces of the rebel General An Lushan.
Watson comments that, this poem, "employs lines that range in length from four to eleven characters, the form of the lines suggesting by their irregularity the jagged peaks and bumpy mountain roads of Sichuan depicted in the poem. Watson notes, however, that his poem "Seeing a Friend Off" was "unusual in that it violates the rule that the two middle couplets From early on, he was paired with Du Fu. The recent scholar Paula Varsano observes that "in the literary imagination they were, and remain, the two greatest poets of the Tang—or even of China".
Yet she notes the persistence of "what we can rightly call the 'Li-Du debate', the terms of which became so deeply ingrained in the critical discourse surrounding these two poets that almost any characterization of the one implicitly critiqued the other".
This influence continues even today. Examples range from poetry to painting and to literature.
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In his own lifetime, during his many wanderings and while he was attending court in Chang'an, he met and parted from various contemporary poets. The plant forms which surround us were not all created at some given point in time and then locked into the given form, they have been given According to Hegel, "Goethe has occupied himself a good deal with meteorology; barometer readings interested him particularly What he says is important: He claims to deduce from it that the barometric level varies in the same proportion not only in each zone but that it has the same variation, too, at different altitudes above sea-level".
In it, he contentiously characterized colour as arising from the dynamic interplay of light and darkness through the mediation of a turbid medium. After being translated into English by Charles Eastlake inhis theory became widely adopted by the art world, most notably J. Goethe was vehemently opposed to Newton's analytic treatment of colour, engaging instead in compiling a comprehensive rational description of a wide variety of colour phenomena.
Although the accuracy of Goethe's observations does not admit a great deal of criticism, his aesthetic approach did not lend itself to the demands of analytic and mathematical analysis used ubiquitously in modern Science. Goethe was, however, the first to systematically study the physiological effects of colour, and his observations on the effect of opposed colours led him to a symmetric arrangement of his colour wheel, 'for the colours diametrically opposed to each other Goethe, Theory of Colours Steiner elaborated on that in the books The Theory of Knowledge Implicit in Goethe's World-Conception  and Goethe's World View,  in which he characterizes intuition as the instrument by which one grasps Goethe's biological archetype—The Typus.
Novalishimself a geologist and mining engineer, expressed the opinion that Goethe was the first physicist of his time and 'epoch-making in the history of physics', writing that Goethe's studies of light, of the metamorphosis of plants and of insects were indications and proofs 'that the perfect educational lecture belongs in the artist's sphere of work'; and that Goethe would be surpassed 'but only in the way in which the ancients can be surpassed, in inner content and force, in variety and depth—as an artist actually not, or only very little, for his rightness and intensity are perhaps already more exemplary than it would seem'.
For instance, in Faust, the first use of Faust's power after signing a contract with the devil is to seduce a teenage girl. Some of the Venetian Epigrams were held back from publication due to their sexual content. Goethe clearly saw human sexuality as a topic worthy of poetic and artistic depiction, an idea that was uncommon in a time when the private nature of sexuality was rigorously normative.
Johann Wolfgang von Goethe
He continued, "Pederasty is as old as humanity itself, and one can therefore say, that it resides in nature, even if it proceeds against nature What culture has won from nature will not be surrendered or given up at any price. If I tire of her as a girl, she'll play the boy for me as well". His later spiritual perspective incorporated elements of pantheism heavily influenced by Spinozahumanismand various elements of Western esotericismas seen most vividly in part 2 of Faust.
In old age, he explained why this was so to Eckermann: How could I write songs of hatred when I felt no hate?
And, between ourselves, I never hated the French, although I thanked God when we were rid of them. How could I, to whom the only significant things are civilization [Kultur] and barbarism, hate a nation which is among the most cultivated in the world, and to which I owe a great part of my own culture? In any case this business of hatred between nations is a curious thing.
Beauty is about more rounded, substantial becoming. So I think beauty, in that sense, is about an emerging fullness, a greater sense of grace and elegance, a deeper sense of depth, and also a kind of homecoming for the enriched memory of your unfolding life.
He insisted on beauty as a human calling.
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He was born in in County Clare in Western Ireland. Historically, this part of the world was a crucible of Celtic Christianity, merging a strong sense of mystery with a passionate embrace of nature, the body, and the senses. The divine is understood as manifest everywhere, in everything.
But in the s, he went to Germany to study the philosophy of Hegel. He eventually left the priesthood and devoted himself full-time to meditating and writing on beauty, friendship, and how the visible and the invisible, the material and the spiritual, intertwine in human experience. Tell me a little bit more about where you come from and what formed you.
What began to form you to come to this spiritual perspective and philosophical and poetic perspective that you have now? Well, I suppose I was blessed by being born into an amazing landscape in the West of Ireland. And it's the Burren region, which is limestone.
And it's a bare limestone landscape.